First Peek

She was the FBI — hunting terrorists, traffickers, and child predators, protecting the innocent, and carrying trauma only those in the trenches could understand. She loved her mission. She made a difference. She saved lives.

But the work left scars no one could see. And when the nightmares wouldn’t quiet, she thought she’d found her escape — a new beginning inside “the happiest place on Earth.” Then she learned that Disney’s real magic wasn’t wonder. It was control.

​

Inside the castle walls, silence was loyalty. Image was everything. The same voice that once protected the innocent was now “too much.” Her intelligence — once an asset to national security — became a liability to corporate ego. 

When she spoke with conviction — about faith, truth, or principle — she learned inclusion only worked if you believed in the same things they did.

What she found wasn’t creativity or healing — it was a world where power hides behind smiles, where truth is inconvenient, and where women are still punished for being too smart, too strong, or too unwilling to fake happy.

​

This isn’t a story about Disney.

It’s a story about every corporation that worships optics over integrity — every system that demands you shrink so someone else can feel big.

Raw, fearless, and impossible to forget, "The Happiest Lie on Earth" pulls back the curtain on what happens when a woman who’s seen real darkness refuses to stay quiet — and keeps the lights on while the suits scatter back into the shadows.